Richard & Judy Review The House of Fortune by Jessie Burton

Richard & Judy Introduce The House of Fortune by Jessie Burton

This elegant sequel to Burton’s 2014 blockbuster The Miniaturist begins in 1705, 18 years after The Miniaturist finished. We find Nella, now a widow in her late 30’s, and her beautiful teenage biracial “sort of” niece Thea, in deep financial trouble. The vast family fortune has declined, they’re selling furniture to pay the butcher, and Nella sees Thea’s marriage to a rich merchant as the only way out. Her spirited niece has other ideas. Beautiful and opulent, this is a wonderful read.

Judy's Review

Judy's Review:

Jessie Burton returns to early 18th century Amsterdam for this compelling and beautifully written sequel to her fabulously successful blockbuster The Miniaturist.

The House of Fortune begins in 1705, on the eighteenth birthday of Thea, the scandalously illegitimate baby born at the end of the previous novel. To Thea’s frustration, nobody in the Brandt household will talk about her birth, or her mother, who died in childbirth.

Thea’s father, Otto, is black, a former slave now working for the Dutch East India Company. Nella, the heroine of The Miniaturist, is a widow in her late thirties. Thea’s mother was Nella’s sister-in-law, and she feels responsible for this beautiful young woman who, biracial and illegitimate, is isolated from wealthy Amsterdam Society.

Richard's Review:

Nella’s family fortune was vast, but since her husband died (also mired in scandalous circumstances) their fortune has dwindled perilously, and they’re reduced to selling the furniture in their magnificent home on the Herengracht Canal to pay the butcher’s bill. She feels desperate; the only way to ensure the family’s survival is to marry Thea off to a rich man. But Thea is spirited and unimpressed by her Aunt‘s determination to introduce her into Dutch high society by attending a ball given by a rich, snobbish neighbour. She has other ideas for her future; obsessed with the theatre, she’s in love with Walter, a hot young set-designer, and makes constant excuses to visit him in secret.

I really enjoyed Burton’s descriptions of Amsterdam, and the strange contrast between its immense wealth and its Calvinistic puritanism.

The House of Fortune is totally compelling, a fascinating story set in a fascinating society.

Richard's Review

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