The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation (Routledge Research in Art History)
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About the Author
Grazyna Jurkowlaniec (PhD 2000, habilitation 2009) is assistant Professor at the Institute of Art History at the University of Warsaw. She specializes in art and artistic patronage between the thirteenth and sixteenth century in Europe. She has published in Zeitschrift fuer Kunstgeschichte, Konsthistorisk tidskrift and Artibus et Historiae.Ika Matyjaszkiewicz (PhD candidate at the University of Warsaw) conducts a project for the Polish National Science Centre Painted Representations of the Volto Santo in the Light of Spatial Studies. Her research focuses on the relationship between the beholder and the work of art. Her publications concern medieval, modern and contemporary art.Zuzanna Sarnecka (BA Cantab., MA Cantab. and London, PhD) is a lecturer in Art History at the University of Warsaw. Her doctoral thesis at the University of Cambridge focused on the devotional and artistic significance of glazed terracotta sculpture in the Marche. She has published in Artibus et Historiae and Arte Medievale.
More Details
- Contributor: Grazyna Jurkowlaniec
- Imprint: Routledge
- ISBN13: 9780367359720
- Number of Pages: 202
- Packaged Dimensions: 174x246mm
- Packaged Weight: 408
- Format: Paperback
- Publisher: Taylor & Francis Ltd
- Release Date: 2019-05-07
- Series: Routledge Research in Art History
- Binding: Paperback / softback
- Biography: Grazyna Jurkowlaniec (PhD 2000, habilitation 2009) is assistant Professor at the Institute of Art History at the University of Warsaw. She specializes in art and artistic patronage between the thirteenth and sixteenth century in Europe. She has published in Zeitschrift fuer Kunstgeschichte, Konsthistorisk tidskrift and Artibus et Historiae.Ika Matyjaszkiewicz (PhD candidate at the University of Warsaw) conducts a project for the Polish National Science Centre Painted Representations of the Volto Santo in the Light of Spatial Studies. Her research focuses on the relationship between the beholder and the work of art. Her publications concern medieval, modern and contemporary art.Zuzanna Sarnecka (BA Cantab., MA Cantab. and London, PhD) is a lecturer in Art History at the University of Warsaw. Her doctoral thesis at the University of Cambridge focused on the devotional and artistic significance of glazed terracotta sculpture in the Marche. She has published in Artibus et Historiae and Arte Medievale.
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