A Critical Anthology of English-Canadian Verse in the Times of Sir Wilfred Laurier (1896-1911) and William Lyon Mackenzie King (1921-1947): 'The Sunny
By: R. Alexander Kizuk (author)Hardback
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This book is a scholarly and critical anthology of 24 English-Canadian poets who wrote and enjoyed large audiences in the first four decades of the Twentieth Century. The poets included represent an entire generation of men and women poets whose careers have been neglected or simply over-shadowed by the success of, first, the Canadian Confederation generation of poets and then, second, the modernist generation who became a dominant force in Canadian literature in the 1950s. The term for designating this pre-modernist generation, as explained in detail in the Introduction, is 'the sunny way', a phrase taken from the political rhetoric of Sir Wilfred Laurier's Liberals and their successors under William Lyon Mackenzie King. This book contains good sized selections of each of the 'sunny way' poets included, so that the quality of the poets' life-works may be appreciated. The anthology also contains a mixture of poems that had won wide readership in the past and poems chosen specifically for this volume; the purpose here is that it may be seen that these neglected poets are interesting in contemporary terms as well as in purely historical terms.
The poems included support my critical argument that the Sunny Way generation of poets is the true precursor of Canadian poets like Al Purdy or Don McKay: just as the Georgian poets in England can be said to be the true progenitors of poets like Philip Larkin and Seamus Heaney. Similarly, a new interest among Canadian poets today in nature, spirituality, and region (not modernist themes), can be seen as having its roots in the achievements of the Sunny Way generation. A similar movement is presently afoot in American poetry, as evidenced by the new resurgence of interest in Robert Frost's poetic legacy. The greatest care has been taken to collect and edit the selections in the context of the poets' milieu and the poems' original presentation. The aspect of the 'family romance', which is a part of the story of this generation of poets, have been carefully delineated with regard to the Livesays and the Robertses. Another interesting aspect of the generation's work is the elevation of Woman, or the Goddess, a literary trope that has its roots in Romanticism, and which faded during the modernist era only to be revived in such contemporary poets as Robert Bly and Robert Graves.
This motif of a more feminine and domestic ground for the creation of the poetic art is another trend that the anthology brings to light.
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- ID: 9780773414150
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