A Social History of Iranian Cinema: Volume 3 - The Islamicate Period, 1978-1984

A Social History of Iranian Cinema: Volume 3 - The Islamicate Period, 1978-1984

By: Hamid Naficy (author)Paperback

1 - 2 weeks availability

£20.57 RRP £20.99  You save £0.42 (2%) & FREE Saver Delivery on orders over £25

Description

Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own. In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema. A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897-1941 Volume 2: The Industrializing Years, 1941-1978 Volume 3: The Islamicate Period, 1978-1984 Volume 4: The Globalizing Era, 1984-2010

Create a review

About Author

Hamid Naficy is Professor of Radio-Television-Film and the Hamad Bin Khalifa Al-Thani Professor in Communication at Northwestern University. He is the author of An Accented Cinema: Exilic and Diasporic Filmmaking, The Making of Exile Cultures: Iranian Television in Los Angeles, and (in Persian) Film-e Mostanad, a two-volume history of nonfiction cinema around the world. Naficy helped to launch ongoing annual Iranian film festivals in Los Angeles and Houston.

Contents

Illustrations ix Acknowledgments xiii Organization of the Volumes xxi A Word about Illustrations xxvii Abbreviations xxix 1. Transition from "Cinema of Idolatry" to "Islamicate Cinema" 1 2. Documenting the Uprising, the Revolution, and the Emerging Opposition 47 3. Consolidating a New "Islamicate" Cinema and Film Culture 115 Appendix 189 Notes 195 Bibliography 217 Index 235

Product Details

  • publication date: 06/04/2012
  • ISBN13: 9780822348771
  • Format: Paperback
  • Number Of Pages: 288
  • ID: 9780822348771
  • weight: 458
  • ISBN10: 0822348772

Delivery Information

  • Saver Delivery: Yes
  • 1st Class Delivery: Yes
  • Courier Delivery: Yes
  • Store Delivery: Yes

Prices are for internet purchases only. Prices and availability in WHSmith Stores may vary significantly

Close