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This book is both a personal journey and an introduction to the cinema cultures of Africa. A book about the politics of cultural survival, it is also a major overview of African cinema and television. The first part of the book traces the development of African cinema - from colonization to Afrocentrism. The author examines this development through a variety of fundamental themes: the decolonization of the imagination; the quest for legendary African origins and the mobilization of African cultural values. The second part of the book analyses specific films, particularly through narrative and in terms of their African specificity - in the use of silence, orality and humour. Finally, the author explores the social and economic contexts of the African cinema and television industry - including its often vexed relations with the West and the problems of production and distribution African film-makers face. Exploring the achievements and challenges of those who seek to affirm African cultural values through film, the book also covers the African television industry and African-American cinema.
It includes interviews with film-makers, stills from the films and, ultimately, a plea for seeing and respecting the otherness of the Other. Winner of the French National Film Centre's best filmbook of 1997 and now available in four languages, this is book which takes us into a process of learning how to look.
Olivier Barlet is film critic and chief editor of the monthly magazine Africultures (L Harmattan, Paris). He has translated many books about Africa and by African authors.
* Foreword* Part I: Early Days, First Rites*1. Human Beings, Not Ants*2. Decolonizing the Imagination*3. "Proverbs Were Once People": Referring to the Past*4. Closing One's Eyes*5. Prizing Open the Cracked Identity*6. The Open Gaze* Part II: The Roots of Story-Telling*1. Black Humour*2. Men Die but Words Remain: Narrative and the Oral Tradition*3. If Your Song is Not More Beautiful than the Silence, Then be Quiet*4. Speaking Your Own Language*5. Towards a Critique of Necessity* Part III: A Black Perspective?*1. "If you want honey, you've got to take on the bees": The Difficulties of Film-making*2. The African Public: Diversity Itself*3. Northern Audiences Spinning like a Weathervane*4. "When you have meat to cook, you seek out the one who has a fire": The Logic of Western Aid*5. Televisual Strategies* Conclusion
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- ID: 9781856497435
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