Painting has often been declared dead since the 1960s and yet it refuses to die. Even the status and continued legitimacy of the medium has been repeatedly placed in question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American Clement Greenberg's 'Modernist Painting' as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of paintings alleged death, its response to Installation Art's foregrounding of site, how it was able to interpret ideas around appropriation, simulation and hybridity and how today painting can be understood as both imaging and imagining the digital.
After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.
Craig Staff is Reader in Fine Art at the University of Northampton, an artist and author of Modernist Painting and Materiality (2011).
List of Illustrations Acknowledgements Introduction 1.Arbitrary Objects 2.Auto-critique 3.Painting in the Expanded Field 4.A Costume of Rags .Manic Mourning 6.An-atomising Abstraction 7.Situating Painting 8.Imag [in] ing the Digital Notes Further Reading Bibliography Index