Andre Bazin and Italian Neorealism

Andre Bazin and Italian Neorealism

By: Bert Cardullo (editor), Andre Bazin (editor)Paperback

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This is a new collection of posthumous writings by Andre Bazin on Italian films and directors - never previously available in the English language. "Andre Bazin and Italian Neorealism" presents, for the first time in English, a new selection of Andre Bazin's writings on Vittorio De Sica, Roberto Rossellini, and Federico Fellini; lesser known but important neorealist works such as "The Roof", "Forbidden Christ", and "Love in the City"; and vital topics like realism versus reality, neorealism's eclipse amid postwar Italy's economic prosperity, and the relationship between neorealism and propaganda. There are also essays on art and politics, film and comedy, and cinema and the avant-garde. The book also features a sizable scholarly apparatus including explanatory notes, an extensive index, a contextual introduction to Bazin's life and work, a comprehensive Bazin bibliography, and credits of the films discussed. This volume thus represents a major contribution to the discipline of cinema studies, as well as a testament to the continuing influence of one of film's pre-eminent critical thinkers.

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About Author

Bert Cardullo is Professor and Chair, Department of Media and Communication, at Izmir University of Economics, Turkey. His books include Federico Fellini: Interviews, Jean Renoir: Interviews, Bazin at Work, and The Films of Robert Bresson. Andre Bazin (1918-58) was one of the most influential film critics and theorists of the Twentieth Century. A co-founder of Cahiers du cinema, he is widely considered to be the chief instigator of auteur theory.


"Defining the Real: The Film Theory and Criticism of Andre Bazin," by Bert Cardullo; "What Is Neorealism?" by Bert Cardullo; "An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation." (Jan. 1948); La Terra Trema (Visconti, 1948). (1948); Germany, Year Zero (Rossellini, 1947). (1949); Bicycle Thieves (De Sica, 1948). (Nov. 1949); "Vittorio De Sica: Metteur en Scene." (1951); Heaven over the Marshes (Genina, 1949). (May 1951); "Neorealism, Opera, and Propaganda: Forbidden Christ" (Malaparte, 1950).; (July-Aug. 1951); The Road to Hope (Germi, 1950). (Feb. 1952); Two Cents' Worth of Hope (Castellani, 1951). (July 1952); Umberto D. (De Sica, 1952). (Oct. 1952); "In Italy." (1953); Europe '51 (Rossellini, 1952). (1953); "Will the Italian Cinema Betray Itself?" (Dec. 1954); La Strada (Fellini, 1954). (May 1955); Gold of Naples (De Sica, 1954). (June 1955); "In Defense of Rossellini." (Aug. 1955); "De Sica and Rossellini." (Sept. 1955); Senso (Visconti, 1954). (Feb. 1956); Il Bidone (Fellini, 1955). (March 1956); The Roof (De Sica, 1956). (Dec. 1956); "Neorealism Returns: Love in the City" (Fellini et alia, 1953). (March 1957); I Vitelloni (Fellini, 1953). (Oct. 1957); "Fellini's Voyage to the End of Neorealism: The Nights of Cabiria [1957]."; (Nov. 1957); +CREDITS OF THE FILMS OF ITALIAN NEOREALISM (INCLUDING PRECURSORS AND SELECT BIBLIOGRAPHY OF ITALIAN NEOREALISM; +BAZIN BIBLIOGRAPHY; +INDEX.

Product Details

  • publication date: 17/11/2011
  • ISBN13: 9781441170750
  • Format: Paperback
  • Number Of Pages: 256
  • ID: 9781441170750
  • weight: 431
  • ISBN10: 1441170758

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