We imagine that art and money are old enemies, but this myth actually reproduces a violent system of global capitalism and prevents us from imagining and building alternatives.
From the chaos unleashed by the 'imaginary' money in financial markets to the new forms of exploitation enabled by the 'creative economy' to the way art has become the plaything of the world's plutocrats, our era of financialization demands we question our romantic assumptions about art and money. By exploring the way contemporary artists engage with cash, debt and credit, Haiven identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today.
Written for artists, activists and scholars, this book makes an urgent call to unleash the power of the radical imagination by any media necessary.
Max Haiven is Research Chair in Culture, Media and Social Justice at Lakehead University, Canada. His books include Art after Money, Money after Art (Pluto, 2018), Crises of Imagination, Crises of Power (Zed Books, 2004), Cultures of Financialization (Palgrave MacMillan, 2014) and the Radical Imagination (Zed Boooks, 2014).
Figures Dedication Acknowledgements Introduction 1. 3.5 Artistic Strategies To Envision Money's Mediation 2. 6 Artists x 2 Crises x 3 Orders Of Reproduction 3. Participation: Benign Pessimism, Tactical Parasitics And the Encrypted Common 4. Encryption: Art's Crypt, Securitization In Numbers, Derivative Socialities 5. Conclusion: Toward Abolitionist Horizons Notes Index