Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.
J. P. Park builds on important recent research on social status, economic development, and print publishing in late imperial China to show how a world of social meaning is evident in the literary subgenre of painting manuals, and provides insight into the links between art history, print culture, and social history.
Acknowledgments Chronology of Chinese Dynasties Introduction William Shakespeare, a Great Painter? 1. Genre and Biography 2. Words without Images 3. Portraits of the Characteristic 4. Icons of Love and Marginality 5. The Art of Being Artistic Coda: The Late Ming at the CrossroadsAppendix 1 | Locations and Editions of Late Ming Painting Manuals Appendix 2 | Lost Manuals and Albums of the Ming Dynasty Notes Glossary Bibliography Index Plates follow page