Joseph Cornell is one of the most significant American artists of the 20th century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.
However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.
In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of 20th-century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
Michael Pigott is Assistant Professor of Video Art and Digital Media, a post shared equally across the departments of History of Art, Film and Television Studies and the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick, UK.
Introduction Cinephilia - Rose Hobart (1936) Cinematic Space and Time - Angel (1957), GniR RednoW (1955) Found Footage an the Remix - Jack's Dream (1938) Texture and Affect - By Night with Torch and Spear (1942) Conclusion Detailed Filmography and List of Sources