Jutland brings together two contrasting poem sequences by 'this brilliant lyricist of human darkness' (Fiona Sampson), Advice on Wearing Animal Prints, winner of the Michael Marks Poetry Award, and Sunday Afternoons at the Gravel-pits. Like all of Selima Hill's work, both sequences chart 'extreme experience with a dazzling excess' (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish. Jutland poses questions about forgiveness,'but the answers, / like Valentines, are never enough', as she writes in 'Wolverine': 'And can't he understand / I'm trying to love him but I don't know how? / And is it true forgiveness is forgiveness / only if the person first reprints? / That kindness isn't kindness but self-sacrifice?'
Selima Hill's Gloria: Selected Poems (2008) draws on books including Saying Hello at the Station (1984), My Darling Camel (1988), The Accumulation of Small Acts of Kindness (1989), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK's major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award and was also shortlisted for the T.S. Eliot Prize. Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward and Costa poetry prizes; The Sparkling Jewel of Naturism (2014); and Jutland (2015). *;She has lived in Dorset for the past 35 years.