Kenji Mizoguchi and the Art of Japanese Cinema

Kenji Mizoguchi and the Art of Japanese Cinema

By: Tadao Sato (author), Brij Tankha (translator), Aruna Vasudev (editor), Latika Padgaon (editor)Hardback

Up to 2 WeeksUsually despatched within 2 weeks

£80.75 RRP £85.00  You save £4.25 (5%) With FREE Saver Delivery


Kenji Mizoguchi is one of the three acclaimed masters - together with Yasujiro Ozu and Akira Kurosawa - of Japanese cinema. Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the twentieth century.Born at the end of the nineteenth century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his elder sister was obliged to enter a geisha house to support the family. Her earnings paid for Mizoguchi's education. Weak and deluded men and strong, self-sacrificing women - these were to become the obsessive motifs of Mizoguchi's films.Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns - the role of women and the realist representation of the inequities of Japanese society - were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan.Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director. Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture.

About Author

Tadao Sato is one of Japan's most prestigious film critics. He has written on many of the great masters of Japanese cinema - Akira Kurosawa, Yasujiro Ozu, Nagisa Oshima, Shohei Imamura - as well as on Asian and global cinema more generally. He is currently the President of the Japan Academy of Moving Images. Edited by Aruna Vasudev and Latika Padgaonkar Translated from the Japanese by Brij Tankha


1. An Original Spirit 2. Encountering the New Theatre 3. From New Theatre to Naturalism-Realism 4. Social Realism -The Time of Leftist Films - Metropolitan Symphony 5. The Fate of Matinee Idols 6. Man Imitates Art in Life 7. The Three Traditional Art (Geidomono) Films 8. A Difficult Woman 9. Recreating the Classics 10. The Last Works 11. The Dialectic of Camera and Performance 12. Looking Up, Looking Down 13. Yoda Yoshikata Chronology of Life and Work

Product Details

  • ISBN13: 9781847882318
  • Format: Hardback
  • Number Of Pages: 259
  • ID: 9781847882318
  • weight: 482
  • ISBN10: 1847882315

Delivery Information

  • Saver Delivery: Yes
  • 1st Class Delivery: Yes
  • Courier Delivery: Yes
  • Store Delivery: Yes

Prices are for internet purchases only. Prices and availability in WHSmith Stores may vary significantly