The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director's cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa's entire body of work, from 1943's Sanshiro Sugata to 1993's Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions.
Arguing that Kurosawa's films arouse anxiety in Japanese and Western critics because the films problematize Japan's self-image and the West's image of Japan, Yoshimoto challenges widely circulating cliches about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging the achievement of Kurosawa as a filmmaker, Yoshimoto uses the director's work to reflect on and rethink a variety of larger issues, from Japanese film history, modern Japanese history, and cultural production to national identity and the global circulation of cultural capital. He examines how Japanese cinema has been "invented" in the discipline of film studies for specific ideological purposes and analyzes Kurosawa's role in that process of invention. Demonstrating the richness of both this director's work and Japanese cinema in general, Yoshimoto's nuanced study illuminates an array of thematic and stylistic aspects of the films in addition to their social and historical contexts.
Beyond aficionados of Kurosawa and Japanese film, this book will interest those engaged with cultural studies, postcolonial studies, cultural globalization, film studies, Asian studies, and the formation of academic disciplines.
Mitsuhiro Yoshimoto is Associate Professor of Japanese, Cinema, and Comparative Literature at the University of Iowa.
Acknowledgements ix Introduction 1 I Japanese Cinema in Search of a Discipline 7 II The Films of Kurosawa Akira 51 Kurosawa Criticism and the Name of the Author 53 Sanshiro Sugata 69 The Most Beautiful 81 Sanshiro Sagata, Part 2 89 The Men Who Tread on the Tiger's Tail 93 No Regrets for Our Youth 114 One Wonderful Sunday 135 Drunken Angel 138 The Quiet Duel 140 Stray Dog 147 Scandal 179 Rashomon 182 The Idiot 190 Ikiru 194 Seven Samurai 205 Record of a Living Being 246 Throne of Blood 250 The Lower Depths 270 The Hidden Fortress 272 The Bad Sleep Well 274 Yojimbo 289 Sanjuro 293 High and Low 303 Red Beard 332 Dodeskaden 334 Dersu Uzala 344 Kagemusha 348 Ran 355 Dreams 359 Rhapsody in August 364 Madadayo 372 Epilogue 375 Notes 379 Filmography 433 Bibliography 451 Index 471