Laughter: Notes on a Passion (Short Circuits)

Laughter: Notes on a Passion (Short Circuits)

By: Anca Parvulescu (author)Paperback

Up to 2 WeeksUsually despatched within 2 weeks

£12.59 RRP £17.99  You save £5.40 (30%) & FREE Saver Delivery on orders over £20

Description

Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter-especially the passionate burst of laughter-has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's "falling into disrepute," as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.

About Author

Anca Parvulescu is Assistant Professor in the English Department and the Interdisciplinary Project in the Humanities at Washington University in St. Louis. Mladen Dolar taught for 20 years in the Department of Philosophy at the University of Ljubljana, Slovenia, where he now works as a Senior Research Fellow. He is the author of a number of books, most recently (with Slavoj Zizek) Opera's Second Death. Alenka Zupancic, a Slovenian psychoanalytic theorist and philosopher, teaches at the European Graduate School and is a researcher at the Institute of Philosophy at the Slovenian Academy of Sciences and the Arts. She is the author of The Shortest Shadow: Nietzsche's Philosophy of the Two and The Odd One In: On Comedy, both in the Short Circuits series, published by the MIT Press. Slavoj Zizek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Zizek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.

Product Details

  • ISBN13: 9780262514743
  • Format: Paperback
  • Number Of Pages: 232
  • ID: 9780262514743
  • weight: 318
  • ISBN10: 0262514745

Delivery Information

  • Saver Delivery: Yes
  • 1st Class Delivery: Yes
  • Courier Delivery: Yes
  • Store Delivery: Yes

Prices are for internet purchases only. Prices and availability in WHSmith Stores may vary significantly

Close