mitoni niya nehiyaw / Cree is Who I Am: nehiyaw-iskwew mitoni niya / Me, I am Truly a Cree Woman (Algonquian Text Society)
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mitoni niya nehiyaw / Cree is Who I Am: nehiyaw-iskwew mitoni niya / Me, I am Truly a Cree Woman (Algonquian Text Society)

mitoni niya nehiyaw / Cree is Who I Am: nehiyaw-iskwew mitoni niya / Me, I am Truly a Cree Woman (Algonquian Text Society)

By
Sarah Whitecalf (Contributor) H.C. Wolfart (Contributor) Freda Ahenakew (Contributor) Ted Whitecalf (Contributor)  

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Strong women dominate these reminiscences: the grandmother taught the girl whose mother refused to let her go to school, and the life-changing events they witnessed range from the ravages of the influenza epidemic of 1918-20, to murder committed in a jealous rage, to the abduction of a young woman by underground spirits who grant her healing powers upon her release. A highly personal document, these memoirs are altogether exceptional in recounting the thoughts and feelings of a Cree woman as she copes with the impacts of colonialism but also, in a key chapter, with her loneliness while tending a relative's children in a place far from home-and away from the company of other women. Her experiences and reactions throw fresh light on the lives lived by Plains Cree women on the Canadian prairies over much of the twentieth century. Sarah Whitecalf (1919-1991) spoke Cree exclusively, spending most of her life at Nakiwacihk / Sweetgrass Reserve on the North Saskatchewan River. This is where Leonard Bloomfield was told what would be collected as Sacred Stories of the Sweet Grass Cree in 1925 and where a decade later David Mandelbaum apprenticed himself to Ka-miyokisihkwew / Fineday, the step-grandfather in whose family Sarah Whitecalf grew up.In presenting a Cree woman's view of her world, these memoirs directly reflect the spoken word: Sarah Whitecalf's reminiscences are here printed in Cree exactly as she recorded them, with a close English translation on the facing page. These chapters constitute an autobiography of great personal authority and rare authenticity. 22 illustrations
Sarah Whitecalf (1919-1991) spoke Cree exclusively, spending most of her life at Nakiwacihk/ Sweetgrass Reserve on the North Saskatchwan River. Her lectures are collected in The Cree Language is Our Identity. H.C. Wolfart is Distinguished Professor Emeritus of Linguistics at the University of Manitoba. Freda Ahenakew (1932-2011), founding Director of the Saskatchewan Indian Languages Institute, earned her MA in Cree linguistics at the University of Manitoba. In 1997 she was awarded an honorary doctorate by the University of Saskatchewan. She was made a member of the Order of Canada in 1998. Ted Whitecalf is Sarah Whitecalf's son and a professional photographer. His Sweet Grass Records/Productions in Saskatoon has been publishing recordings of Indigenous music and photographic books for over twenty-five years.
  • Contributor: Sarah Whitecalf
  • Imprint: University of Manitoba Press
  • ISBN13: 9780887559426
  • Number of Pages: 366
  • Packaged Dimensions: 165x248mm
  • Packaged Weight: 650
  • Format: Paperback
  • Publisher: University of Manitoba Press
  • Release Date: 2021-06-30
  • Series: Algonquian Text Society
  • Binding: Paperback / softback
  • Biography: Sarah Whitecalf (1919-1991) spoke Cree exclusively, spending most of her life at Nakiwacihk/ Sweetgrass Reserve on the North Saskatchwan River. Her lectures are collected in The Cree Language is Our Identity. H.C. Wolfart is Distinguished Professor Emeritus of Linguistics at the University of Manitoba. Freda Ahenakew (1932-2011), founding Director of the Saskatchewan Indian Languages Institute, earned her MA in Cree linguistics at the University of Manitoba. In 1997 she was awarded an honorary doctorate by the University of Saskatchewan. She was made a member of the Order of Canada in 1998. Ted Whitecalf is Sarah Whitecalf's son and a professional photographer. His Sweet Grass Records/Productions in Saskatoon has been publishing recordings of Indigenous music and photographic books for over twenty-five years.

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