Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic
Scott Messing (Author)
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The first historical and critical study of neoclassicism from the genesis of the concept in fin de siecleFrance in the 1870s through the Schoenberg/Stravinsky polemic. By the end of the nineteenth century the traits of "classicism" in music had become clearly established. This codification cast long shadows over contemporary artists, encouraging a movement away from order, continuity and tradition towards freedom, innovation and novelty - and the term neoclassicism made its first appearance. This study, the first ever critical examination of "neoclassicism" in music, provides a broad cultural context for the investigation of its origins, then looks in turn at Wagner and the French reaction to him; Saint-Saens, d'Indy, Debussy, Ravel and their French contemporaries; Germany and France in the decade which includes the First World War, with special reference to Thomas Mann and Ferrucio Busoni, and to Jean Cocteau and the "New Simplicity"; and Igor Stravinsky, the composer most frequently cited in connection with this term. Reprint; first published 1988.
About the Author
Scott Messing is Charles A. Dana Professor of Music at Alma College.
- Contributor: Scott Messing
- Imprint: University of Rochester Press
- ISBN13: 9781878822734
- Number of Pages: 240
- Packaged Dimensions: 152x229mm
- Packaged Weight: 334
- Format: Paperback
- Publisher: Boydell & Brewer Ltd
- Release Date: 1988-01-01
- Binding: Paperback / softback
- Biography: Scott Messing is Charles A. Dana Professor of Music at Alma College.