This book chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America. The volume is magisterial in scope, encompassing the history of theatrical dance from 1900 through 2000. Beginning with turn-of-the-century dancer-choreographers like Loie Fuller, Isadora Duncan, Michel Fokine, and a bit later Vaslav Nijinsky, and proceeding through the profusion of dance styles performed today, the book provides an unparalleled view of dance in performance as it changed and grew in the twentieth century.
Nancy Reynolds and Malcolm McCormick set dance in broader cultural and historical contexts, examine specific dance works, and explore the contributions of outstanding choreographers, performers, visual artists, impresarios, composers, critics, and other figures. They discuss the breakaway barefoot dance of the early 1900s and demonstrate its links with later forms and styles. With unusual detail, fascinating illustrations, and wide-ranging insights, this book is an indispensable guide to the transformations in the dance scene of the twentieth century.
Nancy Reynolds is director of research for the George Balanchine Foundation and a former member of the New York City Ballet. She has written widely about ballet and modern dance and is the author of Repertory in Review, among other books, and was the winner of the 2013 Bessie Award for Outstanding Service to the Field of Dance. Malcolm McCormick is a former professional dancer and costume designer who was a member of the dance faculty at the University of California, Los Angeles, and guest lecturer at other universities for many years.