Prehistory covers the period of some 4 million years before the start of written history, when our earliest ancestors, the Australopithecines, existed in Africa. But this is relatively recent compared to whole history of the earth of some 4.5 billion years. A key aspect of prehistory is that it provides a sense of scale, throwing recent ways of life into perspective. Humans and their ancestors lived in many different ways and the cultural variety we see now is just a
tiny fraction of that which has existed over millions of years. Humans are part of the broader evolution of landscapes and communities of plants and animals, but Homo sapiens is also the only species to have made a real impact on planetary systems. To understand such an impact, we need a grasp of
our longest term development and ways of life.
In this new edition of his Very Short Introduction, Chris Gosden invites us to think seriously about who we are by considering who we have been. As he explains, many new discoveries have been made in archaeology over the last ten years, and a new framework for prehistory is emerging. A greater understanding of Chinese and central Asian prehistory has thrown Eurasian prehistory in quite a different light, with flows of the influence of culture over large areas now evident. This has
eaten away at the traditional view of human progress around the invention of agriculture, the development of cities and (much later) the industrial revolution, and given us new geographies to think about. Chris Gosden explores the new landscape of our prehistory, and considers the way the different geographical
locations weave together.
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Chris Gosden is Professor of European Archaeology at Oxford. He has written and edited a number of books on the history of the Pitt Rivers, on Celtic art and reporting on major excavations. He is currently directing the English Landscape and Identities project looking at the history of the English Landscape from 1500 BC to AD 1088 (funded by the ERC), and the European Celtic Art in Context project, exploring Celtic art and its eastern connections (funded by the Leverhulme Trust). He is also finishing a project on the English Collections of the Pitt Rivers Museum (funded by the ESRC).