The general argument advanced by the Morrises in this ambitious work revolves around the idea that William Faulkner is deeply critical of the prevailing Southern myth and discourse; furthermore, that his narratives are an attempt to discover and amplify alternative voices within that dominant milieu. Those voices and the stories they tell are most often those of the unprivileged in race, class, and gender the black, the poor white, the woman, the neurotic, and so forth who act out the disintegration of Southern culture even as they may be said to hold it together in a communal act of mythmaking. This reading thus makes the case (a largely revisionary one) for Faulkner as a fully engaged "political "writer, a writer embroiled in the process of the subversion and dissolution not only of dominant Southern myth, but of dominant Southern reality as well. Structured in the way Faulkner imagined his entire fictional universe as a single narrative "Reading Faulkner" s incremental design results in a story that has much of the drive and force of Faulkner s story itself."
Wesley Morris is professor of English at Rice University. He is author of T"oward a New Historicism" and "Friday s Footprint: Structuralism and the Articulated Text" and has published articles on Jacques Lacan, Murray Krieger, Jacques Derrida, and contemporary literary theory. Barbara Alverson Morris is a genealogist and has worked to compile books on the genealogy of her own family as well as others. Together with Wesley Morris, they served as Hanszen College masters, one of the four original colleges of Rice University."