Historians and literary scholars tend to agree that British intellectual culture underwent a fundamental transformation between 1770 and 1845. Yet they are unusually divided about the nature of that transformation and whether it is best understood as an epistemic rupture from, or a continuous dialogue with, the long eighteenth century. Rethinking British Romantic History, 1770-1845 rethinks the ways in which we understand the historical writing and the
historical consciousness of late eighteenth- and early nineteenth-century Britain by arguing that British historicism developed largely in quasi and para-historical genres such as memoir, biography, verse, fiction, and painting, rather than in works of 'real' history. In a number of inter-related essays on
changing generic forms, styles, methods, and standards, the collection demonstrates that the aesthetic developments associated with British literary 'Romanticism' not only intersected in mutually dependent ways with concurrent experiments and innovations in historical writing, but that these intersections forced an epistemological crisis-a deeply felt tension about the role of feeling and imagination in historical writing-that is still resonating in historiographical debates today. In exploring
this theme, the volume also seeks to consider wider questions about the philosophy of history and literature, including questions of truth, evidence, professionalization, disciplinary strategies, and methodology. At its heart is the idea that literary texts and other artistic representations of
history can have historical value, and should therefore be taken seriously by practitioners of history in all its forms.
Dr Porscha Fermanis is a Lecturer in Eighteenth-Century and Romantic Literature at University College Dublin. Her research interests include the relationship between Enlightenment and Romanticism; Romantic-era historiography and historical fiction; and Romantic poetry and poetics. She has published John Keats and the Ideas of the Enlightenment (Edinburgh University Press, 2009), and is currently working on A Concise History of Romanticism (with Carmen Casaliggi, forthcoming 2015) and a monograph entitled Romantic Pasts: Narrative History in Britain and Ireland, 1770-1850. Dr John Regan is a Research Fellow at Clare Hall, University of Cambridge. His current research interests centre on the inter-relatedness of poetry, aesthetics, and historiography in the long eighteenth-century. Dr Regan has published on Scott's prosody, philosophical history and late Enlightenment antiquarianism, and the relations between versification and historiography in Byron.
HISTORY, GENRE, RHETORIC ; HISTORICAL SPACE AND TIME ; AESTHETICS OF HISTORY