In Settler Common Sense, Mark Rifkin explores how canonical American writers take part in the legacy of displacing Native Americans. Although the books he focuses on are not about Indians, they serve as examples of what Rifkin calls \u201csettler common sense,\u201d taking for granted the legal and political structure through which Native peoples continue to be dispossessed.In analyzing Nathaniel Hawthorne\u2019s House of the Seven Gables, Rifkin shows how the novel draws on Lockean theory in support of small-scale landholding and alternative practices of homemaking. The book invokes white settlers in southern Maine as the basis for its ethics of improvement, eliding the persistent presence of Wabanaki peoples in their homeland. Rifkin suggests that Henry David Thoreau\u2019s Walden critiques property ownership as a form of perpetual debt. Thoreau\u2019s vision of autoerotic withdrawal into the wilderness, though, depends on recasting spaces from which Native peoples have been dispossessed as places of non-Native regeneration. As against the turn to \u201cnature,\u201d Herman Melville\u2019s Pierre presents the city as a perversely pleasurable place to escape from inequities of land ownership in the country. Rifkin demonstrates how this account of urban possibility overlooks the fact that the explosive growth of Manhattan in the nineteenth century was possible only because of the extensive and progressive displacement of Iroquois peoples upstate.Rifkin reveals how these texts\u2019 queer imaginings rely on treating settler notions of place and personhood as self-evident, erasing the advancing expropriation and occupation of Native lands. Further, he investigates the ways that contemporary queer ethics and politics take such ongoing colonial dynamics as an unexamined framework in developing ideas of freedom and justice.
Mark Rifkin is associate professor of English and women's studies at the University of North Carolina at Greensboro. He is the author of several books, including When Did Indians Become Straight?Kinship, the History of Sexuality, and Native Sovereignty and The Erotics of Sovereignty: Queer Native Writing in the Era of Self-Determination (Minnesota, 2012).
Contents Acknowledgments Introduction 1. Ordinary Life and the Ethics of Occupation 2. Romancing the State of Nature: Speculation, Regeneration, and the Maine Frontier in House of the Seven Gables 3. Loving Oneself Like a Nation: Sovereign Selfhood and the Autoerotics of Wilderness in Walden 4. Dreaming of Urban Dispersion: Aristocratic Genealogy and Indian Rurality in Pierre Notes Bibliography Index