Silent Screens: The Decline and Transformation of the American Movie Theater (Creating the North American Landscape)

Silent Screens: The Decline and Transformation of the American Movie Theater (Creating the North American Landscape)

By: Michael Putnam (author), Robert Sklar (contributor)Hardback

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The single-screen movie theaters that punctuated small-town America's main streets and city neighborhoods since the 1920s are all but gone. The well-dressed throng of moviegoers has vanished; the facades are boarded. In Silent Screens, photographer Michael Putnam captures these once prominent cinemas in decline and transformation. His photographs of abandoned movie houses and forlorn marquees are an elegy to this disappearing cultural icon. In the early 1980s, Putnam began photographing closed theaters, theaters that had been converted to other uses (a church, a swimming pool), theaters on the verge of collapse, theaters being demolished, and even vacant lots where theaters once stood. The result is an archive of images, large in quantity and geographically diffuse. Here is what has become of the Odeons, Strands, and Arcadias that existed as velvet and marble outposts of Hollywood drama next to barbershops, hardware stores, and five-and-dimes. Introduced by Robert Sklar, the starkly beautiful photographs are accompanied by original reminiscences on moviegoing by Peter Bogdanovich, Molly Haskell, Andrew Sarris, and Chester H. Liebs as well as excerpts from the works of poet John Hollander and writers Larry McMurtry and John Updike. Sklar begins by mapping the rise and fall of the local movie house, tracing the demise of small-town theaters to their role as bit players in the grand spectacle of Hollywood film distribution. "Under standard distribution practice," he writes, "a new film took from six months to a year to wend its way from picture palace to Podunk (the prints getting more and more frayed and scratched along the route). Even though the small-town theaters and their urban neighborhood counterparts made up the majority of the nation's movie houses, their significance, in terms of revenue returned to the major motion-picture companies that produced and distributed films, was paltry." In his essay, "Old Dreams," Last Picture Show director Peter Bogdanovich recalls the closing of New York City's great movie palaces-the mammoth Roxy, the old Paramount near Times Square, the Capitol, and the Mayfair-and the more innocent time in which they existed "when a quarter often bought you two features, a newsreel, a comedy short, a travelogue, a cartoon, a serial, and coming attractions." While the images in Putnam's book can be read as a metaphor for the death of many downtowns in America, Silent Screens goes beyond mere nostalgia to tell the important story of the disappearance of the single-screen theater, illuminating the layers of cultural and economic significance that still surround it. "These photographs and the loss of which they speak signal the passing of a way of being together." -Molly Haskell List of Theaters by State Alabama * The Lyric, Anniston * The Martin, Huntsville Arizona * The Duncan, Duncan Arkansas * The Avon, West Memphis California * The Town, Los Angeles * El Capitan, San Francisco * The State, Santa Barbara Connecticut * The Dixwell Playhouse, New Haven * The Princess, New Haven Florida * The Gateway, Lake City Georgia * The Judy, Hartwell Idaho * The Ace, Wendell Illinois * The Pekin, Pekin Indiana * The Rem, Remington * The Ritz, Rensselaer Kansas * The Cameo, Kansas City Kentucky * The Crescent, Louisville * The Ohio, Louisville Louisiana * The Madison, Madisonville * The Sabine, Many * The Jefferson, New Orleans Massachusetts * The Strand, WestfieldMichigan * The Liberty, Benton Harbor Mississippi * The Magee, Magee * The Star, Mendenhall * The Mono, Monticello * The Park, Pelahatchie Missouri * The Star, Warrensburg Nebraska * The Grand, Grand Isle New Jersey * RKO Proctor's Palace, Newark New Mexico * The Lux, Grants * The State, San Jon New York * The Hollywood, Au Sable Forks * The Broadway, Buffalo * The Lovejoy, Buffalo * The Senate, Buffalo * The Jefferson, New York City * The Little Carnegie, New York City * The 72nd Street East, New York City North Carolina * The Colonial, Chesnee * The Alva, Morganton Oregon * The United Artists, Pendleton Pennsylvania * The Lawndale, Philadelphia * The Rex, Philadelphia * The Spruce, Philadelphia * The York, Philadelphia * The Capitol, Williamsport Tennessee * The Park, Memphis Texas * The Royal, Archer City * The Strand, Chillicothe * The Gem, Claude * The Mulkey, Clarendon * The Texas, Del Rio * The Bowie, Fort Worth * The Chatmas, Hearne * The Queen, Hearne * The Palace, Henderson * The Alabama, Houston * The Almeda, Houston * The Crim, Kilgore * The Gulf, Robstown * The Clinch, Tazwell * The Winnie, Winnie Virginia * The Earle, Big Stone Gap * The Home, Strasburg Washington * The Pasco, Pasco West Virginia * The Ritz, Ansted * The Alpine, Rainelle

About Author

Michael Putnam is a freelance photographer. His photographs have appeared in such publications as U.S. Camera, Du, and America Illustrated. He also served as one of four photographers for A Guide to the National Road, also available from Johns Hopkins.

Product Details

  • ISBN13: 9780801863295
  • Format: Hardback
  • Number Of Pages: 128
  • ID: 9780801863295
  • weight: 794
  • ISBN10: 0801863295

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