This study weaves the story of Freemasonry into the narrative of American religious history. Freighted with the mythical legacies of stonemasons' guilds and the Newtonian revolution, English Freemasonry came to colonial America with a vast array of cultural baggage, which was drawn on, added to, and transformed in different ways in its sojourn through American culture. David Hackett argues that from the 1730s through the early twentieth century the religious worlds of an evolving American social order broadly appropriated the changing beliefs and initiatory practices of this all-male society. For much of American history, Freemasonry was a counter and complement to Protestant churches and a forum for collective action among racial and ethnic groups outside the European American Protestant mainstream. Moreover, to differing degrees and at different times, the cultural template of Freemasonry gave shape and content to the American "public sphere."
By expanding and complicating the terrain of American religious history to include a group not usually seen to be a carrier of religious beliefs and rituals, That Religion in Which All Men Agree shows how Freemasonry's American history contributes to a broader understanding of the multiple influences that have shaped religion in American culture.
David G. Hackett teaches American religious history at the University of Florida.
Acknowledgments Introduction PART ONE. EUROPEAN AMERICAN FREEMASONRY 1. Colonial Freemasonry and Polite Society, 1733--1776 2. Revolutionary Masonry: Republican and Christian, 1757--1825 3. A Private World of Ritual, 1797--1825 00 4. Anti-Masonry and the Public Sphere, 1826--1850 5. Gender, Protestants, and Freemasonry, 1850--1920 PART TWO. BEYOND THE WHITE PROTESTANT MIDDLE CLASS 6. The Prince Hall Masons and the African American Church: The Labors of Grand Master and Bishop James Walker Hood, 1864--1918 7. Freemasonry and Native Americans, 1776--1920 8. Jews and Catholics, 1723--1920 Epilogue Notes Index