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With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false
gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as
Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and-in addition to blending it with Judaeo-Christian biblical exegesis-exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries.
She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By
demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena.
Karla Pollmann is Professor of Classics and Head of the School of Humanities at the University of Reading. Professor Pollmann is the co-editor of Augustine and the Disciplines: From Cassiciacum to Confessions (2007) and Augustine and the Disciplines: From Cassiciacum to Confessions (2005). She is also Editor-in-Chief of The Oxford Guide to the Historical Reception of Augustine (OUP, 2013).
I. INTRODUCTION: HOW TO APPROACH EARLY CHRISTIAN POETRY; II. THE POETICS OF AUTHORITY IN EARLY CHRISTIAN POETRY; III. CHRISTIAN AUTHORITY AND POETIC SUCCESSION; IV. POETIC AUTHORITY IN RIVALLING CULTURAL AND THEOLOGICAL DISCOURSES; V. CONCLUSION: AUTHORITY AS A KEY TO UNDERSTANDING EARLY CHRISTIAN POETRY; VI. BIBLIOGRAPHY