The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
Zoomicon-zoom-in
The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll

The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll

By
Ian S. Port (Author)  

Paperback

In Stock

Quantity

Also available on eBook for £9.99. Click here to purchase from Rakuten Kobo

"A hot-rod joy ride through mid-20th-century American history" (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified sound-Leo Fender and Les Paul-and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock 'n' roll-and these louder styles demanded revolutionary instruments. When Leo Fender's tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an "axe" that would make Fender's Esquire look cheap and convinced Les Paul-whose endorsement Leo Fender had sought-to put his name on it. Thus was born the guitar world's most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s-including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton-adopted one maker's guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In "an excellent dual portrait" (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering "spot-on human characterizations, and erotic paeans to the bodies of guitars" (The Atlantic). "The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new" (The Washington Post). 1-c 8 pg insert
Ian S. Port is an award-winning writer and music critic whose work has appeared in Rolling Stone, Village Voice, The Threepenny Review, and The Believer, among others. He is also the former music editor of the San Francisco Weekly. A lifelong guitar player and California native, he and his wife now live in New York City. The Birth of Loud is his first book.
  • Contributor: Ian S. Port
  • Imprint: Scribner
  • ISBN13: 9781501141737
  • Number of Pages: 352
  • Packaged Dimensions: 140x213x18mm
  • Packaged Weight: 302
  • Format: Paperback
  • Publisher: Simon & Schuster
  • Release Date: 2020-01-09
  • Binding: Paperback / softback
  • Biography: Ian S. Port is an award-winning writer and music critic whose work has appeared in Rolling Stone, Village Voice, The Threepenny Review, and The Believer, among others. He is also the former music editor of the San Francisco Weekly. A lifelong guitar player and California native, he and his wife now live in New York City. The Birth of Loud is his first book.

Delivery Options

Home Delivery

Store Delivery

Free Returns

We hope you are delighted with everything you buy from us. However, if you are not, we will refund or replace your order up to 30 days after purchase. Terms and exclusions apply; find out more from our Returns and Refunds Policy.