This book is an attempt to look at creativity from a female perspective. By looking at artistic endeavour, mothering and psychotherapeutic relationships, Juliet Miller considers how a patriarchal world distorts the channels through which women discover their own creative voices. She argues that the dynamics of female creativity are more multi- layered and conflicted for women for a variety of historical, cultural and archetypal reasons and suggests that an attack on the creative feminine has been exacerbated by the history and teaching of psychoanalysis and psychotherapy. Miller looks to the artistic community to discover new ways for the creative feminine to grow and assesses how ideas of destruction and anarchy are crucial for the expression of a feminine self. The work of two contemporary sculptors, Cornelia Parker and Louise Bourgeois, is explored to show how there can be authentic relationships to creativity through the ideas of deconstruction and reconstruction in their work. This book will interest psychotherapists and analysts and both women and men interested in their own relationship to their creativity.
Juliet Miller is a Jungian Analyst with a private practice in London. Prior to training as an analyst she worked as a documentary film maker on environmental, social and women's issues. She is especially interested in creative expression and the interface between the arts and psychotherapy. She is co-editor with Jane Haynes of Inconceivable Conceptions. Psychological Aspects of Infertility and Reproductive Technology.
Contents1 The search for a voice2 Using a voice3 The dilemma of motherhood4 The problem of infertility5 History, Gender and Relating6 Patriarchy and Hate in Training Institutes7 Power and Vulnerability in the Work of Louise Bourgeois 8 Creative Destruction in the Work of Cornelia Parker