Images of dancing and the theme of survival connect the stories in Cary Holladay's latest fiction collection, The Palace of Wasted Footsteps. These images may be explicit, or understated, as in "Mayflies, " which suggests the glorious yet frantic dance of brief, intense lives. Yet each story depicts men, women, and children partnered with death, love, or strange, wonderful chance. Set largely in the Mid-South, Holladay's stories feature characters with honest, even old-fashioned, sensibilities who set out to do right and end up smitten. The policeman in "Doll" discovers that his affection is torn between his pregnant wife, a mannequin he found in a dump, and a haughty saleswoman whose smile is like "a cat's yawn." The young woman in "Runaways, " bedazzled by the vanished hot-air balloonist who was her best friend's father, creates a loving legend about him that inspires and sustains her. Darker in subject matter and atmosphere, "Merry-Go-Sorry" captures an ironic theme that is carried throughout the collection. Centering on a small Arkansas town in the aftermath of a triple murder, the story follows the effects of three boys' deaths on the lives of their parents, friends, and accused killers. Despite the sorrow felt throughout the community, one girl finds solace in her new baby and in the Bible verses she readily quotes. "Rapture, " the story of a young woman who has lost her family and her home, again captures the essence of both joy and sorrow. When a friend gives her a small glass egg, Etta is suddenly confronted with memories of her youth and her beloved family. Although buried woes emerge, she is also filled with newfound contentment.