The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Their descriptive power and vivid imagery have attracted considerable interest on both academic and popular levels. Among historians, the confessions are celebrated for providing a unique insight into the way fairy beliefs and witch beliefs interacted in the early modern mind; more controversially, they are also cited as evidence for the existence of Shamanistic visionary traditions, of pre-Christian origin, in Scotland in this period. On a popular level the confessions of Isobel Gowdie have, above any other British witch-trial records, influenced the formation of the ritual traditions of Wicca. The authors discovery of the original trial records (currently being authenticated by the National Archives of Scotland), deemed lost for nearly 200 years, provides a starting point for an interdisciplinary look at the confessions and the woman behind them.
Using historical, psychological, comparative religious and anthropological perspectives this book sets out to separate the voice of Isobel Gowdie from that of her interrogators, and to determine the experiences and beliefs which may have generated her confessions. The book explores: How far did those accused of witchcraft self-consciously practice harmful magic? Did they really believe themselves to have made a Pact with an envisioned Devil? Did they ever participate in ecstatic cult rituals? The author argues that close analysis of Isobels testimony supports the view that in seventeenth-century Britain popular spirituality was shaped by a deep interaction between Christian teachings and shamanistic visionary traditions, of pre-Christian origin. These findings confirm the value of witchcraft confessions as unique windows into the complexities of the early modern religious imagination.
Emma Wilby is an independent scholar and freelance journalist, with a graduate background in Humanities. The present book is the result of research interests developed while working for a masters degree in the History and Literature of Witchcraft at the University of Exeter.
The Cottar's Wife; The Confessions; The Shadow of the Interrogator; Interweaving Worlds; Curious Minds; 'Q[uhe]n I wes in the elfes houssis'; The Men of Constant Sorrows; The Ethics of Malevolence; Wonderful Lies; An Old Way of Seeing; Isobel Follows the Goddess; 'His hour was pursuing him'; The Choosers of the Slain; Lady Isobel & the Elf Knight; The Devil & the Covenant of Grace; Crafting the Bridegroom; 'The De'il's aye gude to his ain'; Witches Covens & Dark Dream Cults; Index.