Walter Ruttmann and the Cinema of Multiplicity: Avant-Garde Film - Advertising - Modernity (Film Culture in Transition 0 0)

Walter Ruttmann and the Cinema of Multiplicity: Avant-Garde Film - Advertising - Modernity (Film Culture in Transition 0 0)

By: Michael Cowan (author)Hardback

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Description

Walter Ruttmann|Weimar|German Studies

About Author

"http://www.st-andrews.ac.uk/filmstudies/staff profiles/dr-michael-cowan-beginning-spring-2015/" target=" blank"> Michael Cowan is Reader in Film Studies at St Andrews University.

Contents

Introduction: Avant-Garde, Advertising and the Managing of Multiplicity[-]1. Absolute Advertising: Abstraction and Figuration in Ruttmann's Animated Product Advertisements (1922-1927)[-]2. The Cross-Section: Images of theWorld and Contingency Management in Ruttmann's Montage Films of the Late 1920s (1927-1929)[-]3. Statistics and Biopolitics: Conceiving the National Body in Ruttmann's Hygiene Films (1930-1933)[-]4. "???berall Stahl": Forming the New Nation in Ruttmann's Steel and Armament Films (1934-1940)[-]Afterword: Of Good and Bad Objects[-]Notes[-]Bibliography[-]Filmograph[-]Index of Names[-]Index of Film Titles[-]Index of Subjects

Product Details

  • ISBN13: 9789089645852
  • Format: Hardback
  • Number Of Pages: 260
  • ID: 9789089645852
  • weight: 0
  • ISBN10: 9089645853
  • edition: 0

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