Research-Creation in Music and the Arts: Towards a Collaborative Interdiscipline (SEMPRE Studies in The Psychology of Music)
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Sophie Stevance (Author) Serge Lacasse (Author)
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About the Author
Sophie Stevance is Canada Chair Research in research-creation in music (www.chairs-chaires.gc.ca/chairholders-titulaires/profile-eng.aspx?profileId=3481). She is Professor in musicology at the Faculty of Music, University Laval, Quebec City (Canada), Head of Laboratoire de recherche-creation en musique et multimedia (LARCEM) and Groupe de recherche-creation en musique (grecem.oicrm.org). She is the author of several books (such as Quand la musique prend corps, with M. Desroches and S. Lacasse, 2014; Les Enjeux de la recherche-creation en musique, with Lacasse, 2013; Musique actuelle, 2011; Duchamp, compositeur, 2009; Composer au XXIe siecle, 2010; L'Itineraire du timbre, 2006). She has received two awards from The Academie Charles-Cros, in 2006 and in 2010, as well as research grants (Social Sciences and Humanities Research Council, Quebec Research Funds, Canada Foundation for Innovation's Leaders). Her field of study is research-creation in music around different projects with creators, particularly about genetic analysis of creative process in music and modernization of Inuit throat-singing (with Tanya Tagaq). Serge Lacasse is Professor of musicology, specializing in popular music, at the Faculty of Music, Universite Laval in Quebec City, Canada. He heads both the Laval site of the Observatoire interdisciplinaire de creation et de recherche en musique (oicrm.org) and the Laboratoire audionumerique de recherche et de creation (larc.oicrm.org). Favouring an interdisciplinary approach, his research and research-creation projects mostly deal with the study and practice of recorded popular music and the singing voice. In addition to multiple chapters, articles and conference papers, he co-authored (with Sophie Stevance) Les enjeux de la recherche-creation en musique (PUL, 2013) and co-edited Quand la musique prend corps (PUM, 2014) with Monique Desroches and Sophie Stevance, as well as Rewriting the Rules of Record Production (Routledge, forthcoming) with Simon Zagorski-Thomas, Katia Isakoff and Sophie Stevance. He is also active as a record producer, musician and songwriter.
More Details
- Contributor: Sophie Stevance
- Imprint: Routledge
- ISBN13: 9780367231552
- Number of Pages: 188
- Packaged Dimensions: 156x234mm
- Packaged Weight: 340
- Format: Paperback
- Publisher: Taylor & Francis Ltd
- Release Date: 2019-02-07
- Series: SEMPRE Studies in The Psychology of Music
- Binding: Paperback / softback
- Biography: Sophie Stevance is Canada Chair Research in research-creation in music (www.chairs-chaires.gc.ca/chairholders-titulaires/profile-eng.aspx?profileId=3481). She is Professor in musicology at the Faculty of Music, University Laval, Quebec City (Canada), Head of Laboratoire de recherche-creation en musique et multimedia (LARCEM) and Groupe de recherche-creation en musique (grecem.oicrm.org). She is the author of several books (such as Quand la musique prend corps, with M. Desroches and S. Lacasse, 2014; Les Enjeux de la recherche-creation en musique, with Lacasse, 2013; Musique actuelle, 2011; Duchamp, compositeur, 2009; Composer au XXIe siecle, 2010; L'Itineraire du timbre, 2006). She has received two awards from The Academie Charles-Cros, in 2006 and in 2010, as well as research grants (Social Sciences and Humanities Research Council, Quebec Research Funds, Canada Foundation for Innovation's Leaders). Her field of study is research-creation in music around different projects with creators, particularly about genetic analysis of creative process in music and modernization of Inuit throat-singing (with Tanya Tagaq). Serge Lacasse is Professor of musicology, specializing in popular music, at the Faculty of Music, Universite Laval in Quebec City, Canada. He heads both the Laval site of the Observatoire interdisciplinaire de creation et de recherche en musique (oicrm.org) and the Laboratoire audionumerique de recherche et de creation (larc.oicrm.org). Favouring an interdisciplinary approach, his research and research-creation projects mostly deal with the study and practice of recorded popular music and the singing voice. In addition to multiple chapters, articles and conference papers, he co-authored (with Sophie Stevance) Les enjeux de la recherche-creation en musique (PUL, 2013) and co-edited Quand la musique prend corps (PUM, 2014) with Monique Desroches and Sophie Stevance, as well as Rewriting the Rules of Record Production (Routledge, forthcoming) with Simon Zagorski-Thomas, Katia Isakoff and Sophie Stevance. He is also active as a record producer, musician and songwriter.
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