The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652
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The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652

The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652

By
Melinda Latour (Author)  

Hardback

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The Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century. Guided by twin reparative traditions granting music and philosophy therapeutic power, composers and performers across the embattled Catholic and Protestant confessions turned to moral song as a means of repairing personal and collective virtue damaged by the ongoing conflict. Moral song collections enlarged interest in Stoic philosophy by circulating its ethical program to a broader audience through attractive paraphrases of Stoic maxims set to music. Even more importantly, this skillfully composed repertoire of polyphonic song offered a multi-sensory moral practice that would have resonated powerfully for those well-versed in the paradoxes of the Stoic tradition. Bringing together a repertoire of little-known music prints, a rich visual culture, and an impressive body of literary and philosophical sources, The Voice of Virtue not only illuminates the influence of Stoicism on music, but also reveals that we cannot fully understand Neostoicism as an intellectual or cultural movement without accounting for its vibrant musical sounds. Virtue, as voiced in these Stoic practices, proves to be both rational and fully invested in the sensory processes of the singing body. 16 figures, 12 music examples, 2 tables
Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.
  • Contributor: Melinda Latour
  • Imprint: Oxford University Press Inc
  • ISBN13: 9780197529744
  • Number of Pages: 360
  • Packaged Dimensions: 236x163x29mm
  • Packaged Weight: 694
  • Format: Hardback
  • Publisher: Oxford University Press Inc
  • Release Date: 2023-04-12
  • Binding: Hardback
  • Biography: Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

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